WATERCOLOUR & MIXED MEDIA ✦ HAND-ILLUSTRATED IN BHUTAN ✦ SHIP ON REQUEST ✦ WATERCOLOUR & MIXED MEDIA ✦ HAND-ILLUSTRATED IN BHUTAN ✦ SHIP ON REQUEST ✦ WATERCOLOUR & MIXED MEDIA ✦ HAND-ILLUSTRATED IN BHUTAN ✦ SHIP ON REQUEST ✦
Thimphu, Bhutan

Srijana Giri

Watercolour, acrylic, and mixed-media artist working across painting, illustration, and installation — drawing on Himalayan and South Asian life, one hand-painted piece at a time.

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The Bhutanese Dream card game

The Bhutanese Dream

Satirical card game, illustrated and self-published. 2–6 players.
Nu. 550
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Dzongkha Colouring Book

Dzongkha Colouring Book

Illustrated colouring book teaching the Dzongkha script. 1,000+ copies sold.
Nu. 180
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Dzongkha alphabet chart

Dzongkha Letters Chart

Illustrated alphabet chart pairing each letter with a word and character.
Nu. 250
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See new work, process videos, and behind-the-scenes as it happens.

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Liberation, installation by Srijana Giri
Touch the frame to activate — the shoes chime like the bells once worn by cargo ponies
Installation · 2026 · 81.28 × 152.4 cm

Liberation

106 authentic horseshoes, wood, LED light, suspension mechanism — collected from the historic trade routes of Talung, Haa

106 authentic horseshoes collected from the historic trade routes of Talung, Haa, suspended and backlit. Visitors can gently move the frame, activating a metallic chime that echoes the bells once worn by cargo ponies on the route to China — each shoe a memorial to a horse left as a stray once its labour was no longer needed.

The Divine Hayagriva, painting by Srijana Giri
Painting · 2026 · 45.72 × 60.96 cm

The Divine Hayagriva

Mixed media on canvas — hair physically sewn into the canvas, braided with pearls and lacha dhori

A feminine reimagining of the deity Hayagriva, her hair physically sewn into the canvas and braided with pearls and lacha dhori. Holding a vajra, she represents the liberating power of education — a right too many girls are denied through household duty, early marriage, or missing paperwork.

Aimey, painting by Srijana Giri
Painting · 2024 · 4 ft

Aimey

Acrylic mixed with natural dye pigment on canvas

"Aimey" means woman in Nepali. Painted in a dress cut closer to Bhutanese-Tibetan style — a nod to Bhutan's one-nation-one-people dress policy — she has kept her jewellery. Behind her, hand-painted Nepali text names her only by role: chori, aama, chyma, phuphu, kaki, bari — the many names a woman collects instead of her own.

Print & Published Work

Illustration in print, 2022–2026

Sketchbook

Selected pages, process shown sketch to final — watercolour, ink, and pencil, 2017–2024
Grandmother — pencil sketch, watercolour wash, final illustration, with the real mat
Grandmother pencil sketch Grandmother watercolour wash Grandmother final illustration Grandmother with real mat
Kalbelia Dancer — reference photograph, watercolour in progress, final painting
Kalbelia reference Kalbelia watercolour in progress Kalbelia final painting
Robo Duck — pencil concept, ink & colour wash, final piece
Robo duck pencil concept Robo duck ink and colour wash Robo duck final Robo duck final alt
Apple & Beard — pencil sketch, watercolour wash, final character
Apple and beard pencil sketch Apple and beard watercolour wash Apple and beard final
Bobo & Lulu, Pirate Cats — sketch, ink details, final watercolour
Pirate cats sketch Pirate cats ink details Pirate cats final
Educated Potato — pencil concept, watercolour painting, final with details
Educated potato pencil concept Educated potato watercolour painting Educated potato final
Positive Colours for Positive Mood — sketch to final
Positive colours sketch Positive colours in progress Positive colours final
Other pages — Art vs Artist, Character Design: Rani
Art vs artist illustration Character design Rani
Srijana Giri
About

Srijana Giri is a watercolour, acrylic, and mixed-media artist based in Thimphu, Bhutan. Her work moves between painting, illustration, and installation, often drawn from the people and traditions around her — portraits, Himalayan folklore, and family memory alongside satirical illustration and print. Alongside her studio practice, she works in operations and social innovation, and is the creator of The Bhutanese Dream card game and the Dzongkha Colouring Book.

Artist Statement (draft — to be reviewed)

Art is how I stay in conversation with myself. I am a Nepali woman raised in Bhutan, and most days that still feels like holding two threads that were never quite spun into one — so I paint, sketch, and build things by hand as a way of sitting with that instead of resolving it too quickly. It is less a career than a daily practice, closer to meditation than performance: a sketchbook page before the workday starts, a canvas returned to over months, a language relearned one hand-painted letter at a time. I don't think of my work as arriving at answers. I think of it as staying curious about my own identity, my own inheritance, my own community, for as long as it takes — learning and growing a little with every piece, the same way a person does.

Artist CV

Exhibitions, competitions & publications

Exhibitions & Participations

2026Her Expression, VAST Bhutan, Thimphu [confirm edition & date]
2026Liberation, installation [confirm venue & date]
2018"POWER", Modern Art Competition, VAST Bhutan × Royal Textile Academy, Thimphu
2017Patterns of Happiness, VAST Bhutan × Royal Textile Academy, Thimphu
2017Her Expression IV, VAST Bhutan, Thimphu

Competitions

2025Comic Strip Competition, Anti-Corruption Commission of Bhutan
2017BNEW Media Advocacy Material Development Competition — Mascot category

Publications

2026The Bhutanese Dream, card game, self-published
2025Dzongkha Letters Chart, self-published
2022Dzongkha Colouring Book, self-published (BICMA Reg. No. 100000940)
All exhibitions and participations to date have been group shows — Srijana has not yet held a solo exhibition. Two entries above are marked for confirmation: the exact date/edition of Her Expression 2026, and the venue/date for the Liberation installation. Her Expression 2026 certificate is not yet in the certificates folder — worth requesting a copy for the record.